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Soloing over guitar notes is simple once you know how to make use of the minor pentatonic scale. Add tart and capacity to your solo's with these simple but impressive techniques.

The minor pentatonic scale is what many musicians focus on when learning to solo. Trouble is, they don't learn to use the size to it's most useful potential.

Here, I will show you an easy way to use the pentatonic scale to solo on the three most typical guitar note types: minor, Major and dominant 7th chords.

1. Major Chords

A Major chord often includes a relative minor chord. The simple method to discover the 'relative' minor of any major chord on a guitar would be to take the note three half-steps (3 frets) below the root note of the major chord.

For example: a major chord - the root note is C. On a, the note 3 frets below a C note is Really A. Consequently, A minor may be the relative minor of C major.

So to solo over a major chord, use the A minor pentatonic scale and you can not fail.

Yet another example: F main chord - three frets below the basis of F, you'll find N. So that you make use of a D minor pentatonic scale over an F major chord.

Yet another example: G key chord - three frets below the G origin note you will discover Elizabeth. So... you use the E minor pentatonic to solo over a G chord.

Now, you could have pointed out that I outlined G, F and D major chords there. Coincidentally, They're the 1, 4 and 5 notes of the 'KEY' of D Major. This relates to all instruments, not just guitar.

More about this later...

2. Minimal Notes

These are easy... Only utilize the minor pentatonic of what actually the minor chord is. E.g. Use N minor pentatonic for a minor chord, an minor pentatonic for an minor chord, an minor pentatonic for an A minor Chord.

Now, did you as the case notice I used D, E and A small chords? Did in addition you notice that these chords would be the 2, 3 and 6 chords of the 'KEY' of C Major?

More about this later, too...

3. Prominent 7th Chords

You've several alternatives here. But ostensibly, you'd use the relative minor pentatonic, or the minor pentatonic a tone below the foot of the dom7 chord.

For example, over G7, you can use both Elizabeth minor pent (relative minor), or D minimum pentatonic.

The reason why you could utilize the D minor pentatonic over a G7 chord is because the Dmi chord and G7 chord usually go together in chord progressions. Making a sound over a G7 chord provides G7sus sound.

4. Thinking From the 'KEY" Perspective

OKAY, what we've looked over may be the KEY of C Major. And fundamentally you can use just the A minor pentatonic alone for MANY the chords in C, or you can also use the D and E minor pentatonics to add some color and more conformity to the chords being used at the time.

Remember, these rules affect whatever chord you're playing anytime, but may also be applied on an INTEGRAL basis,which is just a more encompassing picture.

The Main Element of C Major has these chords:

C, Dm, Em, F, G7, Am, Bmin7b5.

Ami pent may be used over them all, or just the D and Am notes.

N minute pentatonic can be used within the F and Dm chords.

Elizabeth minor can be utilized over the Em and G7 chords.

Since it isn't used very much the 7 chord was not mentioned by us (Bmi7b5). But the ideal choice could be the Dm pentatonic. In fact, though, you need to use both of the three pentatonics from the C Major scale - Am, Dm or Em. Try them, see that you like best.

I am hoping you enjoyed this article. More information can be found by you about guitar chords at my site: notion of applying pentatonics for different chords is a strong one, don't overlook the great looks you can create with this type of simple device.

Also, in the next article, I will be discussing 'Pentatonic Substitution' where I will explain to you how exactly to use change and transformed pentatonics for a lot more sound choices. company web site