SealeyPettit730

Soloing over guitar chords is simple once you know how to use the minor pentatonic scale. Add tart and power to your solo's with your simple but impressive practices.

The minor pentatonic scale is what most musicians focus on when learning how to solo. Trouble is, they cannot figure out how to utilize the range to it's most useful potential.

Here, I'll show you an easy way to use the pentatonic scale to solo on the three most frequent guitar chord types: dominant, minor and Major 7th chords.

1. Major Notes

A chord always has a relative minor chord. The easy way to find the 'relative' minor of any major chord on a guitar is to get the note three half-steps (three frets) below the root note of the major chord.

For example: a major chord - the main note is C. On a, the note 3 frets below a C note is Just A. Consequently, A minor could be the relative minor of D major.

So to solo over a major chord, make use of the A small pentatonic scale and you cannot fail.

Yet another example: F significant chord - three frets below the basis of F, you will find N. So you work with a D minimal pentatonic scale over an F major chord.

Another example: G significant chord - three frets below the G root note you will discover E. So... you use the E minor pentatonic to solo over a G chord.

Now, you could have pointed out that I outlined D, F and G major chords there. Coincidentally, They're the 1, 4 and 5 notes of the 'KEY' of D Major. This applies to all instruments, not merely guitar.

More relating to this later...

2. Minimal Chords

They're easy... Only make use of the minor pentatonic of what actually the minor chord is. E.g. Use N minor pentatonic for a minor chord, an minor pentatonic for an minor chord, an minor pentatonic for an A minor Chord.

Now, did you whilst the example notice I used N, E and A chords? Did you also observe that these chords would be the 2, 3 and 6 chords of the 'KEY' of C Major?

More about that later, too...

3. Dominant 7th Chords

You've several options here. But basically, you'd use the relative minor pentatonic, or the minor pentatonic a tone below the base of the dom7 note.

For example, over G7, you could utilize both E minor pent (relative minor), or D min pentatonic.

The reason you can use the D minor pentatonic over a G7 chord is really because the Dmi chord and G7 chord often go together in chord progressions. Making a sound over a G7 chord provides a G7sus sound.

4. Thinking From the 'KEY" Perspective

OK, what we have viewed is the KEY of D Major. And ostensibly you can use only the A minor pentatonic alone for MANY the chords in D, or you can also use the D and E minor pentatonics to include some color and more conformity to the chords used at the time.

Remember, these rules apply to whatever note you are playing at any time, but can also be employed on a VITAL basis,which is a more encompassing picture.

The Key of C Major has these chords:

C, Dm, Em, F, G7, Am, Bmin7b5.

Ami pent can be utilized over them all, or just the C and Am chords.

N minute pentatonic can be used within the F and Dm notes.

E minor can be utilized on the Em and G7 chords.

We didn't mention the 7 chord (Bmi7b5) as it is not used greatly. But a good choice could be the Dm pentatonic. Actually, though, you can use both of the three pentatonics from the C Major scale - Am, Dm or Em. Take to them, see that you simply like best.

I am hoping you liked this short article. More information can be found by you about guitar chords at my site: idea of using pentatonics for different chords is an effective one, don't disregard the cool sounds you can create with such a simple device.

Also, in another article, I'll be discussing 'Pentatonic Substitution' where I will explain to you just how to use alternative and altered pentatonics for even more sound options. online beginner guitar lessons